Dialogue Tags and the Hidden Power of ‘said’:

Writers hate to repeat what’s been done before. This is particularly apparent when it comes to dialogue tags (those things that come after a line of dialogue and let you know who spoke):

“The bit after the dialogue is called a dialogue tag,” he explained.

What’s wrong with the above sentence? The answer is simple: the dialogue tag (‘he explained’) adds no value. It’s obvious that whoever’s speaking is explaining something, which makes it redundant to tell readers that things are getting explained (and as discussed before, redundancies are bad). You don’t need ‘explained’ – you just need ‘said.’

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Choosing your Tense and Point-of-View – Part 2

Yesterday we looked at the different tenses and point-of-views (POVs). This week I’m taking some time to evaluate the pros and cons of each tense and POV. If you haven’t read part 1 of this article, check that out before reading any further. 


Again, let’s start with the Point of Views (POVs), using ‘John’ as our main character. I’ve given the most time to first person and third person limited, as these are the two most common POVs:

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Choosing your Tense and Point-of-View – Part 1

Your story’s point-of-view and tense has a huge impact on your novel’s structure and feel. Done well, your POV and tense will work seamlessly together to create an engaging tale with compelling characters. Done poorly, the reader can be left feeling disjunct from what’s happening. This article is a short introduction to the main POV’s and tenses, as well as tips for using them.

Continue reading “Choosing your Tense and Point-of-View – Part 1”